Crossdressing was used in original performances of Shrew. Petruchio points to Kate as a boy twice. Kate signals that she is really a boy in her long speech. Disguises suggest that appearances cannot be relied upon. Lucentio and Hortensio assume identities below their station.
Tranio and the Pedant pretend to be wealthy men. Remarkable shifts in behavior alert the audience to the possibility of masquerade and deception. Petruchio flatters and then harrasses Kate, as if in a game. Kate alters her behavior to please Petruchio, but the audience may not be convinced of her sincerity.
Petruchio seems interested only in appearances. He explains to the men that he and Kate will fight openly while treating each other cordially in private. He appears concerned more with his image before the other men than with developing a sincere relationship with Kate.
Grumio imitates Petruchio in an absurd way. This also suggests that Petruchio may be doing the same, but convincingly so. Can clothes really make the man? Disguise in The Taming of the Shrew enables characters to temporarily change their social positions.
By donning a disguise, Lucentio transforms himself in the eyes of everyone around him from a young gentleman into a scholar, and Tranio transforms himself from a servant into an aristocrat. Clothing facilitates this effect because outward appearance controls the perceptions of others: However, as Petruchio says, no matter what a person wears, his inner self will eventually shine through—Lucentio, for instance, may appear to be a tutor, but as soon as the courtship with Bianca develops, he must revert to himself again.
People are bound together in intricate webs and, interwoven as such, cannot escape their identity. The webs tend to reveal true selves regardless of attire or intent—a point that Shakespeare illustrates when Vincentio encounters Tranio in disguise.
The Induction plays a mysterious role in the play. In fact, we never see the conclusion of the trick played on Christopher Sly. What is the purpose of the Induction, structurally, narratively, or thematically? In the end, does the Induction serve merely a cursory role in introducing the play proper, or does it provide commentary on the themes throughout?
- The Taming of the Shrew Essay: Katherina's Development Katherina's development in the play, The Taming of the Shrew, is a complicated dilemma for the reader to figure out. Is .
The Taming of the Shrew essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Taming of the Shrew by William Shakespeare.
Bloom, Harold, ed. William Shakespeare’s “The Taming of the Shrew”: Modern Critical Interpretations. New York: Chelsea House, New York: Chelsea House, Not for the faint-hearted, this collection of essays is useful for indicating the trends of modern scholarship regarding the play. The Taming of the Shrew Essay. BACK; NEXT ; Writer’s block can be painful, but we’ll help get you over the hump and build a great outline for your paper.
When we first see Katherine, she is labeled a shrew by everyone she encounters (most disturbingly her father), and so she behaves in a predictably shrewish, loathsome manner. But like the lord in Christopher’s story, Petruchio sees potential for reinvention in everyone he encounters, and he thus tells Katherine that she is actually mild, lovable, and generous. William Shakespeare's play "The Taming of the Shrew" is a lighthearted, slapstick comedy written in the 's. This particular era is classified as the William Shakespeare’s play “The Taming of the Shrew” is a lighthearted, slapstick comedy written in the ’s.