Malvolio is ridiculous, but so are the cavaliers who surround him. While these characters are flawed, they are certainly more engaging than the inflated Malvolio. Shakespeare does not set up the contrast as a political allegory, with right on one side and wrong on the other. Nevertheless, Malvolio is an intrusion into the otherwise idyllic world of the play. He cannot love; his desire for the hand of Olivia is grounded in an earnest will to get ahead.
He cannot celebrate; he is too pious and self-involved. Nothing is left for him but to be the butt of a joke—his role in the celebration. Some critics have suggested that Malvolio is treated too harshly, but a Renaissance audience would have understood how ludicrous and indecorous it was for a man of his class to think, even for a moment, of courting Countess Olivia.
His pompous and blustery language is the key to how alien he is to this festive context. When he does his bit, Olivia casually mentions that perhaps he is put upon, but this is the only sympathetic gesture he deserves. He is the force that threatens to destroy the celebration of all that is good and refined and joyful in Elizabethan society. Twelfth Night develops its theme on two levels.
The main plot, written mostly in blank verse, shows the nobility in pursuit of love. The subplot features lower characters, who speak in prose and pursue drunkenness and mischief. In the main plot, the twins Viola and Sebastian are shipwrecked on the Illyrian coast and separated; each presumes the other dead. Disguised as a young man, Viola joins the court of Duke Orsino, falls in love with him, and becomes his favorite.
Orsino loves the lady Olivia, who refuses his attentions because she still mourns her dead brother. Sir Toby also persuades Sir Andrew to challenge Viola to a duel. Freed, Malvolio stomps out vowing revenge on them all.
Symbolically opposed to Malvolio is Feste, the wise clown. Shakespeare implies that people should open themselves to celebration and love, even if it makes them appear foolish, since it is truly foolish to deny these life forces.
Princeton University Press, Love and Society in Shakespearean Comedy. University of Delaware Press, Speech, therefore, may seem forbidden, because it necessarily fails to express the truth of the Holocaust. Yet, if nobody speaks of the Holocaust, those who died will go forgotten. It has become a commonplace among AIDS activists to use a slogan equating silence with death; similarly, it is the very real fear of many Holocaust survivors that a failure to speak about what happened during the Holocaust could lead to a possible recurrence of the same evil.
Silence, it is sometimes said, gives a posthumous victory to Hitler, because it erases the memory of the atrocities that were committed at his command. Night is the expression of an author, and a narrator, caught between silence and speech.
Eliezer often maintains something of a clinical detachment when describing the horrors of the camps. He avoids becoming gruesome or ever describing in precise detail the extent of his suffering. He withdraws from the subject, sensing that approaching it too closely would be sacrilege. Wiesel carefully avoids melodrama and intense scrutiny of the events, relating the facts of his experiences.
Elie Wiesel and Eliezer are not exactly the same, but Eliezer expresses, in most cases, the emotions that Wiesel felt at the time of the Holocaust.
Yet Eliezer is not enlightened by his rejection of God; instead, he is reduced to the shell of a person. Likewise, Akiba Drumer, upon abandoning his faith, loses his will to live. Wiesel seems to be suggesting that the events of the Holocaust prove that faith is a necessary element in human survival, because it preserves man, whether or not it is based in reality.
Faith, Wiesel seems to say, enables hope, and it is always necessary for the prisoners to maintain hope, in order for them to maintain life. Even when Eliezer claims to abandon God as an abstract idea, he remains incapable of abandoning his attachment to God as an everyday part of his life. It seems that Eliezer, at his core, still maintains a kind of belief in God.
Night is the expression of an author, and a narrator, caught between silence and speech. Eliezer often maintains something of a clinical detachment when describing the horrors of the camps. Eliezer often maintains something of a clinical detachment when describing the horrors of the camps.
Night Essay Prompts. a. Choose. ONE. essay prompt. b. 12 point font. Times New Roman. Double-spaced. pages in length. c. This is a multi-paragraph essay. d.
Night Essay. Directions: Choose one prompt below to respond to in a paragraph expository essay. Be sure to develop a strong thesis statement that makes an argument and topic sentences for each body paragraph. Critical Essays Wiesel and the Critics The Focus on "Night" as a Symbol Elie Wiesel and Mysticism Elie Wiesel and Existentialism Elie Wiesel and the Wandering Jew Full Glossary for Night; Essay Questions Cite this Literature Note ×.
Night—Essay Questions-Select TWO of the following questions and answer on your own paper. You should construct a well-written paragraph that RACES!! Be sure to restate the question and create a topic sentence for your response. With night essay prompts strong conclusion summarize what you chosen to write on the book and want people to research the topic to make sure that they have. American history because relation to your thesis statement, which is a sentence or should.